Related Paintings of unknow artist :. | Portrait of Pius VI | Sexy body, female nudes, classical nudes 118 | Portrait of Marie-Adelaide de France | The Last Meeting of Lee and Jackson | Still life floral, all kinds of reality flowers oil painting 95 |
Related Artists:
William fraser garden
1856-1921
Thomas Shotter Boys
English Engraver, 1803-1874 English painter and printmaker. He was apprenticed on 4 February 1817 to George Cooke. His early training in engraving influenced his future career; his ability to draw a fine line, lay aquatint washes and hand-colour prints was an important factor in the creation of his particularly lucid style of watercolour landscapes and townscapes. At this time Cooke was engraving volumes of picturesque views by Turner and James Hakewell (1778-1843) as well as his own view of the Thames (1822);
Giovanni Migliara
Italian 1785-1837 He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.